Love Truly is a 2006 South Korean television series starring Eugene, Lee Min-ki and Ryu Jin. It aired on MBC from April 8 to August 6, 2006 on Saturdays and Sundays at 19:55 for 34 episodes.

In the tradition of The Twilight Zone, this bizarre, thought-provoking trilogy addresses the destiny of the world's minorities: Part I: A conservative African American politician must choose between his people's survival and appeasing his white colleagues when space aliens propose to share their profound knowledge in exchange for all black people on earth. Part II: The Virgin Mary's appearance in an inner-city housing project forces a Hispanic priest to face the hidden cultural origins of Western religion. Part III: On the dawn of the "Black Revolution," an African American couple discovers who the "real" enemy is.

In the tradition of The Twilight Zone, this bizarre, thought-provoking trilogy addresses the destiny of the world's minorities: Part I: A conservative African American politician must choose between his people's survival and appeasing his white colleagues when space aliens propose to share their profound knowledge in exchange for all black people on earth. Part II: The Virgin Mary's appearance in an inner-city housing project forces a Hispanic priest to face the hidden cultural origins of Western religion. Part III: On the dawn of the "Black Revolution," an African American couple discovers who the "real" enemy is.

Actors are given the chance they've always wanted... To Direct!

Actors are given the chance they've always wanted... To Direct!

On Thanksgiving, Nathalia confides in her friend Matthew as she discusses her tumultuous past, her stable present and her uncertain future, while far from the family that she hasn't seen in over 8 years.

A comedic Mexican short film about "the worst thing a woman can tell you: "I like you too, but only as a friend." -Edgar Cochran

Comedy game show hosted by who is helped by celebrity guests to whittle down the participants from the studio audience who are hoping to win the prize of a year off from their job with their salary fully paid.

Leaning over a fence surrounding a U.S. military base, a woman is happily eating ice cream someone gave her. Those who know the status quo of Okinawa will realise that the ice cream symbolises both a promotion policy in compensation for the accepted bases and an image of tourism unilaterally imposed. The filmmaker herself plays the role of the woman who plays the role of (the people in) Okinawa itself (themselves) relying on such realities. Through simulationism, the film embodies the present tense of the local culture’s disappearance, transformation into tourist attractions and rapid homogenisation.

Leaning over a fence surrounding a U.S. military base, a woman is happily eating ice cream someone gave her. Those who know the status quo of Okinawa will realise that the ice cream symbolises both a promotion policy in compensation for the accepted bases and an image of tourism unilaterally imposed. The filmmaker herself plays the role of the woman who plays the role of (the people in) Okinawa itself (themselves) relying on such realities. Through simulationism, the film embodies the present tense of the local culture’s disappearance, transformation into tourist attractions and rapid homogenisation.